CV

Selected Works

  • New Piece as part of the Sound Pioneers Project by the Yorkshire Sound Women’s Network, in progress
  • Rest By The Light for Flute, Oboe, Violin and Cello, as part of the Britten Sinfonia Opus 1 Scheme, 2021
  • Installation piece – Royal Court Theatre, as part of the Wanderscapes project by the Old Courts Wigan, 2021
  • A Picture of Transparency – PRiSM 8 cubed concert series commission, collaborating with Prof. Rachel Williams to create a new work inspired by her work in bioengineering. , 2021
  • If We Break Before The Dawn, For bass clarinet and electronic sounds, 2018, as part of the Cheltenham Composer Academy 2018

Selected Workshops & Residencies

  • YSWM Sound Pioneer 2020/21, TBC in Summer 2021 with performance of new work at Huddersfield Contemporary Music Festival
  • Illuminate Women’s Music Season 1 2020/2021 artist in residence
  • Participant at Electric Storm residency, run by Delia Derbyshire Day and Brighter Sound, Feb 2020
  • Participant at the Cheltenham Composers Academy 2018
  • Participant at the RPS Phase 1 Women’s Conducting Workshops, March 2017
  • London Symphony Orchestra Soundhub Associate Member, 2017 – 2019

Recent Employment History

  • University Music Administrator | University of Birmingham | January 2021 – present
  • Location Sound Recordist & Sound Designer | First Take Films Ltd. | June 2021 – January 2021.
    •  Credits include upcoming feature film 1 in 200, TBR October 2021
  • Audio Editor/ Sound Designer | Paper Twin Wedding Films and Yeti Creative | July 2018 – present
    • Creation of original sound design elements, audio editing and clean-up
    • Credits include sound design and music for Primark’s Stranger Things and Harry Potter campaigns
  • Music Library Assistant (freelance) | English National Opera | December 2018 – August 2019
    • Photocopying, score binding and marking, archiving, preparing the delivery of scores.

Education

  • MMus with Distinction, Creative Practice (Music), Goldsmiths, University of London (2018- 2019)
    • Modules included composition, interactive music systems, studio practice and thesis
  • 1:1 BA (hons) Music/Popular Music, University of Liverpool (2014-2017)
    • Modules include composition, orchestration, technology and production, performance, and dissertation

Skills

Guitar
Violin, ABRSM Grade 5 with distinction, 2014
Basic keyboard skills
Basic bass guitar
Music Notation Software – Sibelius, Musescore
Field recording of location and speech
Score creation, editing and marking ready for rehearsals and performance
In studio recording of foley, vocals and instruments
DAW’s ; Reaper, Pro tools 12, Logic Pro X, Adobe Audition
VST’s/ Plugins – Spitfire LABS, BBCSO, Intimate Strings, Kontakt 6

Full list of works

  • New Piece as part of the Sound Pioneers Project by the Yorkshire Sound Women’s Network, in progress
  • Rest By The Light for Flute, Oboe, Violin and Cello, as part of the Britten Sinfonia Opus 1 Scheme, 2021
  • Told: The Mackenzie Files (Original Theme Music – Digital Theatre), The Coach House, Everyman Playhouse, October 2021
  • Contractions by Mike Bartlett ( Play), original music for the production by Whatstick Theatre, performed at the Etcetera Theatre, London, June 2021
  • Royal Court Theatre, Wigan, Installation piece as part of the Wanderscapes project by the Old Courts Wigan, 2021
  • A Picture of Transparency, For flute, alto sax, guitar, piano, bass guitar, percussion and electronics, as part of the Prism 8 Cubed series with RNCM and the University of Liverpool, 2020.
  • Raidho, for alto saxophone and piano, 2020, commissioned as part of the Illuminate Women’s music season 1 2020 (TBR 2021)
  • Ghost Hands, for solo violin and electronic sounds, 2020
  • I Reach Out Into Darkness, for solo pitched instrument, 2020, commissioned as part of the Illuminate Women’s Music season 1 2020 online concert 29th June 2020
  • Original music for Installation #11: “How do you feel? Make something in a minute”, by Whatstick Theatre, online release, 2020
  •  Shadow Truths, for organ and electronics 2019, Commissioned as part of the Organ Reframed series at the Union Chapel, Islington
  • INTERNAL/EXTERNAL, musical score for animated short film, dir. by Beth Madeley, 2019
  • Chorus, for vocal duo and electronics, 2019
  • These days bind us together, acousmatic piece, 2019
  • Destroy My Heartstrings, acousmatic piece, 2018, premiered at the Electronic Music Studios Christmas Concert, December 2018
  • If We Break Before The Dawn, For bass clarinet and electronic sounds, 2018, as part of the Cheltenham Composer Academy 2018
  • Autism: A Curious Case of the Human Mind, musical score for documentary, dir. Tom Griffiths, 2018
  • And The Abyss Stares Right Back, for woodwind and electronic sounds, 2018
  • Dethroning an Omnipotent God, for any number of performers, 2017, Devise. Realise Commission
  • Limbo, musical score for short film, dir. Lorna Gibson, 2017
  • We can Coexist, for string quartet, synthesisers, and percussion, 2017
  • Summer Storms, for piano and live electronics created in MAX/MSP, 2017
  • Under The Bridge, musical score for short film, dir. Cait Milner (2017)
  • Hidden Disability, musical score for short film, created by Hannah Cross, Grace Bowmaker and Jessica Mayers (2017)
  • Patterns, Av project, 2017
  • Catalyst, for clarinet, string trio and piano, 2017, winner of the Rodewald Award for young composers 2017
  • What Is My Purpose and What Is Yours?, for piano and percussion, 2016
  • Hollow Bodies (Are Meant To Be Hit), for solo violin, 2016
  • Splash Dash, musical score for advertisement, Claire House Children’s Hospice, created by Josh Grady, 2016
  • Falling For You , musical score for short film, by Toni Garden, Joshua Grady, Leanne Halpin, Jack Mee and Emma Lobato Castilla, 2016
  • Sketch, musical score for short documentary, created by Andrew Haworth, Gaia Paulucci Couldrick, Kristie O’Brien, Michael McCormick, Becky Hughes, Aimee Diggle (2016)
  • 131 Hours, musical score for short film, dir.by Abby Brennan, 2016
  • The Other Side, musical score for short film, dir. Hannah Cross, 2015
  • Memories Are Made Of This, musical score for short film, created by Stott, Gibson, Banner and Cross, 2015
  • Let’s Make Cake!, musical score for short film, created by Ellen Stott and Lorna Gibson 2015
  • Art of the Lived Experiment, musical score for short documentary, as part of DaDaFest, dir. Hannah Cross, 2014

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